Norwich Voices – an oral history project
Norwich Voices is a new oral history project in which we’re seeking to capture the stories of the Norwich community. The theme is the training of citizen soldiers at Norwich and the effects of that training beyond school. We are funded by the Tawani Foundation.
We are soliciting names of people to interview, so if you have a story or if you know someone who would be a good subject, please contact us. We are especially interested in WWII and later veterans, but all are encouraged to send information. Individual interviews will be collected and preserved in a digital repository for instruction, research and presentation. The project will involve working with students, alumni and friends of the Norwich community.
If you have any questions or comments, please contact us at email@example.com.
Conservation of the Earle murals
Visitors to Norwich University who pass through Harmon Hall are presented with a glimpse into the illustrious history of the institution.
The walls of the dining hall are decorated with murals depicting the battles in which Norwich men took active parts, historic and scientific heroes. These representations were created for the purpose of education and esprit de corps.
Until recently, very little was known by the Norwich community about the purpose and events surrounding the commissioning of the paintings, or about the joint efforts by President Ernest Harmon (1950-1965) and the artist to produce these art works. The paintings helped Harmon to complete his strategic goals as president of Norwich University by improving the aesthetic environment of the University, enrich the education of its students and developing pride in the school. Harmon commissioned the murals as well as the portraits of General I.D. White, Lt. General Edward Brooks, Captain Alden Partridge and his own portrait.
The muralist, William Earle, a New Canaan, Connecticut, native, was a thirty one year old artist teaching and living in New York City when President Harmon approached him to paint for Norwich in 1956. Earle was very excited about the mural project and completed all ten paintings by 1960. After finishing his work for Norwich, Earle went on to write articles for a number of art journals, was a member of distinguished artist societies, and worked several years for the U.S. State Department teaching Art in South America.
The Tawani Foundation paid for the conservation of the Earle paintings.